Perhaps the most salient feature of Hamlet by William Shakespeare, is the contrast between two structural strands, a dramatic, or action, referred to the argument, and other essentially lyrical, or inaction, where they occupy a preferential place the soliloquies of Prince of Denmark. The first is external: it has to do with revenge tragedy. The locus of the background is the mind of Hamlet, the interior of the character, their thoughts, doubts, hesitations and delays. Hamlet is, first, a revenge tragedy with an air of enigma, mystery chronicle police and swashbuckling, and secondly, a study of reflexive skepticism that ends the Middle Ages and Renaissance Humanism begins.
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